Es
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Jose Montesinos
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Trapped in a historic remodeled 5-star Hotel with an eclectic group of strangers who refused to evacuate during a hurricane, Caroline must work with concierge Marcos to discover who killed the hotel's maître d' - or end up dead next.
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Mark Allen Michaels
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Middle-aged Max and Sara meet and fall for each other in Palm Springs, but their love story is cut short due to a sudden zombie outbreak. Max is not as mild-mannered as he appears, and has a history involving government-sanctioned hits, but one zombie he isn't able to kill is his darling Sara.
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Michael Rooney
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After being summoned back to his home castle on the brink of war, Sir Cedric Vale discovers that the Baron he is loyal to has married the woman he loves, Lady Alysia. Following his return, the two struggle to keep their age-old love a secret amidst a terrible threat made upon the baronesses' life by The Ring of Shadowed Blades. Political strife and rising concerns of loyalty drive both royalty and servants alike to question their honor in this deeply thrilling and romantic adventure.
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James Chick
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When a paranormal social media influencer winds up dead, a USFS ranger must pull himself out of mourning to grapple with the reality of the fact that Bigfoot might actually exist, and be responsible for a string of unusual deaths in his small town.
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Camila Urrutia
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Claudia and Maria, roam the streets of the city of Guatemala. Claudia works at a call center and is uninterested in the world around her. She lives with her activist grandfather, who tries to persuade her to join his cause. Maria unlike Claudia, is more spontaneous and lives with her mother in the outskirts of the city. The chaotic streets are filled with common stories of abuse, unforgiving police officers, and charming secret corners. Everything changes one night when they are attacked by three men. Although they manage to escape, Claudia is faced with the dilemma of choosing revenge or listening to her grandfather’s advice.
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Andrés Peyrot
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内详
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The Search for a lost film from the 70s takes a young man from one of South America's largest indigenous communities on an existential journey in a post-colonial film about the right to one's own image. In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.
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尼可·拉斯拉森
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Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella. Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast.
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Christian Charles
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森姆（瑞恩•平克斯通 饰）转学到一所新的学校，身材矮小，打扮老土的他受到了同学的歧视及取笑。只有Annie（凯特•玛拉 饰）愿意跟他成为朋友。他求助于学校里的心理老师，老师跟他说撒谎是生活在这个社会上最好的办法。为了能加入到同学们当中，他开始不断的撒谎。 一晚上他对父母抱怨自己所遭遇到的不公，没想到第二天早上起来，发现自己以往编造的谎言全部变成了事实：他得到了红色的保时捷，学校里美丽的老师与女同学Vicki都开始接近他，篮球打得出神入化。他成为了学校里最有人气的男生。但本是数学精英的他成了数字白痴，父母也巨大转变令整个家庭面临破裂。森姆对这一切的改变渐渐困惑起来，他开始怀念以往被嘲笑的日子，但如何能回到过去呢？
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劳伦·冈泰
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安东来到法国南部的拉西奥塔小镇，参加一个暑期编剧工坊，他们将在知名作家奥莉维亚的帮助下写出一本犯罪悬疑小说。过程中需要大家去回忆感受小镇的工业历史，在这个跨种族的团队中，聪明且勇于发言的安东经常发表充满争议的言论，并与其他学员起冲突，和大家格格不入，奥莉维亚不得不将他赶出工作坊。奥莉维亚对于安东的暴力倾向既警觉又着迷，她该如何面对这个濒临崩解的集体创作，又该如何面对自己？ 电影在悬疑的氛围下，一来一往的辩论、逐渐升温的冲突，精彩反映了当代法国年轻人对于这个复杂社会的观点以及所面临的困境。影片入围第70届戛纳电影节一种关注单元。劳伦·冈泰再度与《每分钟120击》导演罗宾·坎皮略合作编剧，在拍摄地征选背景相异的非职业演员，将每个演员本身的个性注入角色中，以多台摄影机写实捕捉他们的演出。