Li
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雅克·杜瓦隆
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一天晚上,阿尔玛与丈夫安德鲁(安德鲁·伯金饰)回到家中,遇到了她的前女友卡萝尔(玛露施卡·德特默斯饰)的引诱。结果,一直难以在丈夫和女友间做出选择的阿尔玛决定离开丈夫,很配合地被卡萝尔“绑架”到一家酒店,两人激情如潮。 她们身边有两位“绑架”事件的旁观者。一个是作为卡萝 尔贴身朋友的不知姓名的小女孩(洛尔·马尔萨克饰),见到卡萝尔与阿尔玛的旧情复燃,心中充满嫉妒;另一个是阿尔玛的跟踪者五号(菲利普·莱奥塔尔饰),他是安德鲁为了专门监视他的妻子而雇的私家侦探,却也对阿尔玛很有爱。因此,两位旁观者就有了各自为己的诡计交合点。 神秘的小女孩开始了对阿尔玛的感情折磨。不久,五号带安德鲁来酒店找阿尔玛。在酒店里,安德鲁为了挽回妻子变得越来越疯狂.....
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纳森·朱兰
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After an encounter with aliens, a wealthy women grows to, surprise surprise, 50 feet tall. With her new found size she decides to get revenge on her husband and others that annoyed her.
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弗兰克·卡普拉
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梅根(芭芭拉·斯坦威克 Barbara Stanwyck 饰)和未婚夫琼斯(沃尔特·康诺利 Walter Connolly 饰)即将携手步入婚姻的殿堂。琼斯是一名虔诚的基督教徒,为了传教,梅根跟随琼斯来到了中国。一场意外中,两人在误打误撞之下闯入了军事禁区,就此解释了颜将军(尼尔斯·阿斯瑟 Nils Asther 饰),三人之间结下了深厚的友谊。 随着时间的推移,颜将军渐渐爱上了天真烂漫的梅根,两人之间的距离越来越近。颜将军在事业上受到了重创,导致了众叛亲离的下场,在这危机时刻,梅根选择不离不弃的陪伴在颜将军的身旁。可是,颜将军误以为梅根这么做是为了自己的未婚夫,这误会导致两人的感情产生了裂痕。
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Frank Tuttle
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The proprietor of an ice-skating revue promotes a peanut-vendor at the show to a management position based on suggestions he made to improve the act of the show's star, who also happens to be the owner's wife. However, he soon begins to notice that his new manager is paying more attention to his wife than he believes is appropriate, and begins to suspect that his new manager has designs not only on his wife but on his business. Meanwhile, someone from the new manager's past shows up with information that could wreck his plans.
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Clive Donner
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Aston (Robert Shaw), a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. He befriends and takes in Mac Davies (Donald Pleasence), an old derelict who has been fired from a menial job in a café. In time Aston offers him a job as caretaker of the house. Aston's brother, Mick (Alan Bates) - a taunting, quasi-sadist - harasses the derelict when his brother is away, countermanding his orders. Eventually Aston, himself irritated by the cantankerous old man, puts him out.
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乔纳森·戴米
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在康复中心戒毒治疗的金茉(安妮•海瑟薇 Anne Hathaway饰),因为姐姐蕾切尔(罗丝玛丽•德薇特 Rosemarie DeWitt 饰)即将举行婚礼,被父亲保罗(比尔•欧文 Bill Irwin 饰)接回了家。但她还是要定期去参加瘾君子互助会活动。巧的是,她发现姐夫的伴郎基兰(玛德•奇科尔 Mather Zickel 饰)竟然也是互助会成员,同命相怜的两人倍感亲近。 在交流中,金茉得知伴娘不是自己,勃然大怒。经过一番争取,蕾切尔最终还是同意金茉出任伴娘。但是,这次妥协并没未让姐妹重修旧好。金茉不合时宜的“道歉计划”让整个家庭陷入了矛盾之中,只有父亲始终细心维护着她。在一次争吵中,姐姐蕾切尔提及早年弟弟车祸死亡之事,这让金茉内心的负罪感愈加沉重,并导致她与母亲艾比(德博拉•温格 Debra Winger 饰)大打出手……
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贝蒂·托马斯
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杜立德医生(艾迪·墨菲 Eddie Murphy饰)拥有一个幸福的家庭,一个小有名气的诊所,没有人知道他曾经有着异常的经历,那就是能够听懂动物的说话。小时候,他就和猫狗马驴之类的动物交谈过,了解动物的需要,知道它们的心事。随着岁数增长,杜立德医生早已失去了这个“特异功能”。然而,他却因为一次开车差点撞上路边的小狗,似乎又能听到了小狗骂他笨蛋。这下子杜立德的生活可热闹起来了,因为他沉睡已久的动物语言天赋又被重新唤醒,阿猫阿狗不但成为了他的朋友,还主动找上门来找杜立德医生看病。诊所变成了熙熙攘攘的动物世界,而生意也因此陷入低迷。人人都以为杜立德疯了,家人对他的行为也非常的不理解,杜立德医生和他的诊所面临着不小的挑战。
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Alex Zamm
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遺傳了爸爸能和動物對話的天賦,杜立德家族的小女兒瑪雅這次因為醫治社交名媛的狗而踏入了星光燦爛的社交圈。她必須想辦法駕馭難搞的神經質犬以及其他嬌生慣養的小動物們。迷失於有自己電視節目的機會,她忘了這些小動物們不是人類用來炫燿的道具。而這些小動物們也讓瑪雅發現,認真傾聽小動物們的想法比會跟動物交談的能力要來的重要多了!
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道格拉斯·塞克
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二对母女,罗拉(拉娜·特纳饰)与女儿苏西(胡安妮塔·摩儿饰)之间因母亲专注于事业,而与女儿缺乏沟通,导致两母女同时爱一个男人的悲剧;她们在海边遇到的另一对黑人母女,黑人母亲安妮(丹·奥赫里奇饰),因为混血女儿始终不肯承认自己是黑人的事实,而悲伤矛盾,但是安妮这个善良的女人始终等待其女儿的回头,只是子欲养而亲不待。 本片讲述两个具有现代意识的悲剧。本片是一部社会性的写实片,突出了黑人与白人之间的种族歧视与子女教育问题,可以说是一部套路偏中国文戏的文艺片。尽管有煽情的成分,但比一般的家庭片更深刻。1934年曾拍过一次。
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安德鲁·弗莱明
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16岁的少女萨拉·贝利(Robin Tunney 饰)外表阳光美丽,却拥有不为人知的痛苦过去。为了寻找生活的希望,她随父亲(Cliff De Young 饰)和继母从旧金山搬到了位于洛杉矶的一座城市,并在当地一所教会学校继续学业。在这里她遇见三个打扮和举止都很怪异的女孩——(费尔鲁扎·鲍克 Fairuza Balk 饰)、邦妮(Neve Campbell 饰)和罗谢丽(Rachel True 饰)。周围的学生没有一个愿意与她们交往,甚至盛传他们就是恐怖的女巫。萨拉无意间展现出的超能力引起南希等人的注意,这四个本质上有着相同气质的女孩很快便走到一起。 他们希望召唤万物之灵马农(Manon),让其进入自己的身体,由此可以使糟糕的生活变得好转起来。只是,世界上绝对没有免费的午餐……
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王颖
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从小生活在贫穷当中的玛丽萨•文图拉(詹妮弗•洛佩兹 饰)十分坚强,如今她需要独自抚养儿子泰勒,她没有丈夫,没有幸福的家庭,而是每天都要为着儿子与自己的生活奔波劳碌。玛丽萨在曼哈顿一间高级酒店内当清洁女工,工资微薄。 玛丽萨梦想自己与儿子的生活能有更大的改善,也希望自己能遇到一个真心爱自己的人。就在这时,她与英俊优雅的贵族公子克里斯多佛•马歇尔(拉尔夫•费因斯 饰)在酒店内相遇了,他误会了正试穿名贵时装的玛丽萨是一名社会名媛。 两人对彼此都有好感,可是当进一步发展感情的时候,玛丽萨的真实身份成为了最大的障碍,玛丽萨又能否苦尽甘来,得到自己最想要的生活呢?
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Jacinto Molina
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film. http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm
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特里·隆
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『1970年,全世界都知道贝尔法斯特是个分裂的城市,附近邻里都变成贫民窟了,但是我对这一切毫不知情。我的世界就只有这麽大而已——四面牆和几条安静的街道,不过那是在我认识米奇寳之前』 『1970年,全世界都知道贝尔法斯特是个分裂的城市,但是我对这一切毫不知情。直到事实像火车一样碾过……』 本片根据欧文麦卡菲帝著名的舞台剧拍摄而成,讲述了七十年代北爱尔兰两个少年的故事,一个来自天主教家庭,一个则是清教徒背景,原该水火不容的他们却跨越了边界,成为血盟结拜兄弟。他们学著当时正在上映的《虎豹小霸王》,决定离家抢银行做大事......
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马修·罗宾斯
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Average Texas teen, Billie Jean Davy, is caught up in an odd fight for justice. She is usually followed and harrased around by local boys, who, one day, decide to trash her brother's scooter for fun. The boys' father refuses to pay them back the price of the scooter. The fight for "fair is fair" takes the teens around the state and produces an unlikely hero.
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西里斯科什·慕克吉
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Anand (Rajesh Khanna饰),一个癌症末期的病人,却活得问心无愧,不像其他抑郁和绝望病人,他享受着余下生命的每一刻。他的医生Bhaskar (Amitabh Bachchan饰),被人们亲热地称呼为Moshai先生,他的精神拥有着令人惊讶的力量,以自己的方式让周围的人了解生命的意义。可是,Bhaskar却对Anand的病无能为力… 《Anand》成功塑造了一个勇敢面对死亡的人,这是一部令人感动的电影。该片在1972年的 Filmfare Awards颁奖典礼上获得六个奖项,包括最佳男主角(Rajesh Khanna)、最佳男配角(Amitabh Bachchan)、最佳对白(Sampooran Singh Gulzar)、最佳编剧(Hrishikesh Mukherjee)、最佳影片(Hrishikesh Mukherjee,N.C. Sippy)、最佳剧情(Hrishikesh Mukherjee)。
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比尔·福塞斯
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In his Scottish New Town home, gangling Gregory and his school-friends are starting to find out about girls. He fancies Dorothy, not least because she has got into the football team - and is a better player than him. He finally asks her out, but it is obviously the females in control of matters here, and that very much includes Gregory's younger sister.






























